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Robert Vogel

Mammoth Mountain Silhouette

Mammoth Mountain Silhouette by Robert Vogel ©2011 Robert Vogel

For all the world traveling Robert Vogel has done in his lifetime, throughout Europe, South America and Northern Africa, the Eastern Sierra is the place he finds the most inspiration, spending a significant amount of time between Bishop, Mammoth and June Lake. Born in Pasadena, Robert studied architecture and fine art at USC.

In the 1960s, Robert made his first trip to Mammoth with his family, to ski, traveling up 395 in the midst of a snowstorm. After high school, he attended USC School of Architecture and Fine Art. He spent two summers in Europe, with a backpack and sketchbook, visiting most of the significant art galleries and buildings, including the Prado and Louvre which made deep impressions. In Morocco, he traveled through the towns of Fez, Casablanca, Tangier, and Marrakesh, then spent a couple of months in Spain where he lived with a family in Madrid. 

Upon returning to L.A., he worked briefly at Paramount recording studios in Hollywood, then moved to Mammoth Lakes, where people began asking him to do plans for them, remodeling and additions, then finally house design. He rented a small office and worked in architectural design for 7 years, from 1977 to 1985. On Sundays, he was DJ for the classical show on KMMT. He left Mammoth to study classical guitar, composing and arranging at the Dick Grove School of Music in Studio City, California. Robert continued his travels, eventually meeting his wife in South America. Robert started two companies in Equador: Arbol Records and Vogel Guitars

His paintings, many of familiar scenes, capture the dramatic palette and changing light of the Eastern Sierra.

“I have been privileged to be able to paint with Scott Garland, Jason Situ, Jennifer McChristian, Mian Situ, Jeremy Lipking, Frank Serrano, Matt Smith, and Jim Wilcox, among others, whom I also count as my friends and mentors.” 

“Spring begins as a slow thaw, and sometimes winter doesn’t seem to want to let go. . .”
©2011 Coons Gallery

 
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Posted by on November 13, 2011 in Artists

 

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The Gallery


In 1928, about a decade after he arrived in America from Scotland, Robert Clunie made his first trip to the Eastern Sierra, to the town of Lone Pine, where he painted the Olivas Pack Station and Mount Whitney. The following year, a few months before the stock market crash of 1929, Clunie hired a packer to transport him, his camping and painting gear to Fifth Lake, near Upper Glacier Lodge in Big Pine Canyon. Over the next fifty years, Clunie returned to the same spot every summer to paint, transforming the knoll overlooking Fifth Lake into his permanent summer camp.

At the end of World War II, Clunie began construction on the studio and residence that is now Coons Gallery, purchasing the small portion of land from the Matlick family, one of several Bishop area ranching families involved in a decades long water rights dispute, beginning in the early 1900s. The historical dispute made its way to California’s highest court where the ranchers prevailed and the Bishop Cone Hillside Decree set precedent for water usage. When Clunie took possession of the gallery, rancher Edwin Matlick presented him with a lengthy agreement signed in 1929, transferring those historical rights to Clunie’s small parcel. Today, visitors to the gallery can see some of Inyo County’s water history in the form of a turnstile used to control water releases to the old ranch irrigation ditch (in front of the gallery).

All of the wood used in the gallery’s construction, from Clunie’s handmade doors to the flat adobe-style roof, was salvaged from Manzanar War Relocation Center, when the internment camp south of Independence closed at the end of World War II. Bishop Pumice Concrete Products (formerly located on what is now a vacant lot north of Smart & Final at the junction of US 395 and 6; the original building was demolished in 2010 ) owned by Richard Coons’ grandfather, milled and fired the volcanic block used in the walls. Coons met Robert Clunie when he helped his grandfather deliver the volcanic block, a friendship that continued to the end of Clunie’s life.

Richard Coons didn’t start painting until he was 47 years old. In 1986, following Clunie’s death, Coons purchased the gallery from Kent Clunie (Robert Clunie’s son) as his own studio and residence. For the next 25 years, Coons focused on developing the realist style for which he is known, winning numerous awards and writing the book dedicated to his mentor, Robert Clunie, Plein Air Painter of the Sierra. Coons spent the last years of his life at the gallery, with his wife, Wynne Benti (who has continued to keep the gallery open since his death in 2003).

While Richard Coons, the man, touched the hearts of many people who had the chance to meet him either on location in the Sierra or at his easel in his gallery, his work inspired generations of artists. Today people from all over California and the world continue to visit the gallery and to enjoy several of his large canvases featured in the permanent collection.

Robert Clunie is one of several artists including Jessie Arms Botke, Cornelis Botke and Douglas Shively, featured on a mural in downtown Santa Paula.

©2011 Coons Gallery

 

 
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Posted by on November 13, 2011 in History

 
 
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